Fying High

 

It's here!

Star Flight was released on Thursday, and although of course most people will probably buy it to stream or download, it also exists as an actual, physical version on CD. Which I was able to get a copy of on release day - rather pleasingly, World Book Day. And even though it's not a book-length story, audiobooks still count, so it was nice to be able to welcome a new member of the 'family' on that day of all days.

Also out on Thursday was the latest issue of Doctor Who Magazine, which contained a review of Star Flight. It's not a bad verdict at all, although it's fair to say I was a little disappointed that their reviewer David Richardson didn't enjoy the story as much as the online reviewers I mentioned last week. Interestingly, his main issue was that it didn't quite feel true to the era of the programme in which it was set - something which one of those reviews last week praised it for. Which just goes to show how people can have very different views of the same piece of writing! And proof, perhaps, if proof were needed that you shouldn't allow yourself to get either too downhearted nor too carried away by the reviews.

But I am pleased that - so far! - nobody has given Star Flight a real pasting. Mentioning the DWM review also gives me the opportunity to correct a small but important error which creapt into it, which really does need to be noted. The sound design work on the story is, rightly, praised - but credited to David Darlington, when in fact sound design was by David Roocroft.

I should also, of course, thank Christopher Naylor for performing the reading, Morrison Ellis for producing the whole thing, and Lee Johnson for doing the cover. And Michael Stevens, John Ainsworth and Steve Cole for giving me the opportunity and getting it into a fit state for publication. So, thank you all!

It's still strange, and rather wonderful, to think that I have written an official Doctor Who story for the BBC, and that it is out there in the world and a part - a tiny part, I know - of all that history. I thought I'd feel more emotional when I put the CD on and heard my name being credited over that music, but it was actually the end which really got me in that sense. Hearing the sound of the TARDIS over my description of it in the closing moments of the story. That's when I really felt it, if that doesn't sound too sappy.

Well, even if it does sound too sappy, I've said it now - so there!

Something else I've been very pleased with myself about is that Star Flight has spent much of the past few days at number one in Amazon's chart of Doctor Who books and audiobooks. Which is, admittedly, probably not surprising when it is the latest available Doctor Who release, but still an achievement in which I take some pride. After all, how often in your life to you get to have a chart-topper of any sort? Never mind one in a chart of one of your great passions in life. I quite like the little "No. 1 Best Seller" tag which got added to the Amazon listing, too!

Look, these sorts of things don't happen very often in your life - probably never again will I have anything like this - so I am determined to enjoy it while it lasts, okay...?

Flight Mode

It's March, which is an exciting month for me - not generally, I mean, but specifically this one. March 2026. Because this is the month - indeed, this week will be the week - which sees the release of my first professional work of fiction, my Doctor Who audiobook Star Flight for BBC Audiobooks / Penguin Random House.

It will be out there in the world from this coming Thursday, the 5th. But excitingly, it is already out there in some senses - because the first reviews have begun to appear. And the good news is, so far... they're very good indeed.

This is, admittedly, only from a sample size of two. But they are both very positive, extremely flattering reviews. The kind of thing which makes you stand up and pace up-and-down the room when you've read them. Or makes me as the writer of the work in question do so, anyway! Of course, I know that not every review will be this positive, and if you allow yourself to get too high from the nice verdicts you're also running the risk of allowing yourself to be brought down too much by the negative ones.

But what the hell. I've waited a very long time for this, so I am determined to enjoy it while I have the chance!

The first review to appear was by Tony Fyler for the website Mass Movement. I was nervous opening the link, but almost immediately reassured, and indeed fairly staggered, by the first paragraph which declares that Star Flight "drips competence and class from every syllable". Blimey! And at the end, "leaving you feeling breathless and satisfied and eager for more," too. 

Then a few days later came Rod Bell's review for the Flickering Myth site. This was another review which was also far better than I could have imagined: "Paul Hayes knows exactly what he is doing," indeed! Bell even draws a comparison with TV episodes such as Blink and The Girl in the Fireplace - admittedly, purely in terms of this being, like them, a one-off self-contained story rather than part of some grand larger narrative. But still, if you know your Doctor Who you'll know that even to be mentioned in same breath as such episodes is pretty dizzying stuff.

There were two things I was particularly pleased about with both of these reviews. One was that the work of Star Flight's reader Christopher Naylor and producer Morrison Ellis has been rightly recognised and praised. The second was that both reviews felt that the story does give a sense of character to the original TARDIS team who are its stars, and feels as if it does a good job of fitting into their era. "This never feels like an interchangeable 'Insert any Doctor here' adventure," writes Bell in his Flickering Myth piece. "It feels lived in."

That is one of the things I very consciously tried hard to do with Star Flight - I mean, self-evidently, of course, it's what you have to do with a shared universe story like this. Write the characters as recognisably the ones people know from their television stories. I know I shouldn't take too much pride in this, given it's a bare minimum requirement for such a piece, and I have effectively been training for this for decades. With so much television material on which to base the characterisations of the First Doctor, Susan, Ian and Barbara, it ought to be easy for any fan. But I'm still pleased it seems to have worked.

Of course, there will be bad reviews to come, and people who simply don't enjoy Star Flight. For whom it's not their cup of tea. I understand that.

But I had occasionally thought, down the years, about what might happen if I ever got an opportunity like this. To write an actual, real-life Doctor Who story. And I have worried that I might blow it, and write The Worst Doctor Who Story Of All Time. That nobody would like it at all, and it would be the final proof that I don't have a clue what I'm doing when it comes to writing fiction. These two reviews, at least, prove that I haven't done that. That I have written something some people will enjoy.

And that's an enormous shot in the arm. A boost in confidence for my other efforts at writing fiction, too. Because despite the decades I have spent as a Doctor Who fan, this wasn't easy. It didn't just role off the laptop. It took effort, and work, and revision, and sometimes I get dispirited when my fiction writing seems to need so much of that.

But if I can come up with something people seem to enjoy, which seems to work, like this... Well, then perhaps I shouldn't get so down on my other efforts. Perhaps I really can do this, after all.

Flight Cover

 

Well now... Here is something very exciting. Another development this week with Star Flight, my forthcoming Doctor Who 'audio original' for BBC Audiobooks - the release of the cover, illustrated by Lee Johnson!

I was shown the draft a couple of months ago, but it is nice to now have it out there in the world. Particularly so with all the gubbins on it - my name, and of course the logo! As well as the confirmation, which I've also known for a while but haven't mentioned because it hadn't yet been announced, that it will be read by Christopher Naylor. He also did the reading for the BBC Audiobooks version of my non-fiction book Pull to Open, with which I was extremely happy. So needless to say I am very pleased that he is also going to be on narrating duty here.

I, obviously, cannot stop staring at that cover and grinning to myself!

Something else about which I was also very pleased this week was the little piece about Star Flight in 'Gallifrey Guardian', the news section of Doctor Who Magazine. Aside from having been an occasional contributor to DWM for a decade now, I have been a reader of the magazine for the best part of 31 years. So to see in those pages news about a Doctor Who story written by me makes me very proud, as I'm sure you can imagine.

But that wasn't the only nice thing about this month's issue of the magazine. This edition is primarily focused around an interview with Carole Ann Ford, who played Susan, the Doctor's granddaughter, for the first year of Doctor Who's run. 

In both the interview feature itself and some of the supporting pieces about the creation of development of the character of Susan in 1963, Benjamin Cook who wrote the pieces has used Pull to Open as a source and quoted from it quite extensively. I mentioned recently here how I always enjoy the feeling of something I've written being useful to other people in their own work and research, and that's very much the case here. Seeing it referred to like that gives the feeling that I have, indeed, written a 'proper' book!

Flight Updates

If you thought I wasn't going to take each and every opportunity I could to chronicle all of the stages of my first professional piece of fiction's journey to publication in as much detail as possible here, then I'm afraid you were very sadly mistaken. Anyway, I'm comfortable in the knowledge that very few people actively read this blog, and that it mostly functions as a sort of chronicle for myself to look back on at various things I've done over the years, so I know I'm only writing to please myself anyway. Which is, as is often pointed out, often the best reason to write something anyway.

Star Flight got what I'm certain is its first podcast mention just over a week ago, on an episode of Radio Free Skaro. This is a Canadian Doctor Who podcast to which I have been a listener, off-and-on, since around 2013 or so, and for which I have kindly been interviewed a couple of times, when The Long Game and Pull to Open came out.

On this occasion they were interviewing BBC Audiobooks editor Michael Stevens, during which he talked about the range and what they have coming up next year, with Star Flight getting a nice little mention. It was also brought up earlier in the episode, too, before the interview, when they do their news round-up at the start and talked briefly about it having been announced as an upcoming title. Not much, as there obviously isn't yet much to say, but some very kind comments about The Long Game and Pull to Open, which is of course much appreciated. You can have a listen to the episode here:

Aside from that, the website CultBox also put up a short news article briefly summarising the news of Star Flight and John Peel's The Mind Trap having been the first two BBC Audiobooks Doctor Who 'audio originals' announced for 2026:

But the main action, such as it is, has been over on Amazon, where after going up for pre-order Star Flight briefly reached the dizzy heights of number 6317 in the charts. Which, I admit, doesn't sound all that impressive, but when you consider how many thousands, probably millions of books and audiobooks are available via Amazon, I think it's pretty good going!

It also made number two their 'Hot New Releases' chart for Doctor Who books and audiobooks:

And got up to number four in their general Doctor Who books chart:

All of which I am, as you can imagine, pretty proud of and pleased with! I'm not sure there will be a lot more to say now until the cover artwork is released; I'm not sure when exactly that will be, but I have seen the draft and I am very pleased with it! I couldn't stop looking at it when it was first sent to me. It made the whole thing feel that much more 'real', of course.

Oh, something else I can share with you, as it doesn't give anything away, is a bit of the email I was sent with the contract to sign when I was commissioned to write the story. This was particularly pleasing as, because it's an audiobook, they obviously refer to it as a 'script': so I was being formally commissioned, by the BBC, to write a Doctor Who script, with the paperwork looking and feeling a bit like that for all those actual, proper, TV Doctor Who writers whose work I have watched, enjoyed, read about and written about down the years...

Taking Flight

I recall once seeing an interview with the comedian Peter Kay, in which he was asked about a poll having voted him the country’s funniest man. Kay dismissed the idea, pointing out that it’s an impossible thing to judge, and that the funniest man in the country could easily be someone like a milkman nobody’s ever heard of, perfectly happy telling jokes to his friends.

 
It's possible that the same could be true of writers. The greatest and finest writer of the most beautifully moving prose in the history of the English language could easily be someone who died in the 1930s having only ever written for her own pleasure, never showed her work to anybody, and whose name will never be known or remembered.
 
If you’re good at something, if you enjoy doing it, if it’s how you want to spend your time, do you really need the outside validation of others?
 
Perhaps for some people the answer is no, you don’t.
 
But I think to many of those for whom writing it an ambition, there is often a need for it. A craving, even. A desire, often a very strong one, for what you do to mean something to someone else. To have some external reassurance of the fact that you can do this, and you have not been entirely wasting your time.
 
All of this has, of course, been gone over many times, by far finer minds than mine. Perhaps most famously, by Orwell in his essay ‘Why I Write’, which I first read in my late teens and which certainly struck a chord with me for his confession that “Sheer egoism,” was one of the main driving factors behind it. “Desire to seem clever, to be talked about, to be remembered after death… It is humbug to pretend this is not a motive, and a strong one.”
 
I’ve never really thought about it in terms of wanting to be remembered after death – what happens while I’m still here to enjoy it is far more important to me! – but that egotism he writes about is of course a factor.
 
The thing with writing is you can keep fooling yourself for your entire life that you might one day ‘make it’. Fairly early on, most people realise that they are never going to be an astronaut, or a footballer, or a pop star. But you can keep pretending into old age that you might, just might, one day write a great work of fiction which people will want to read.
 
I don’t remember precisely when I first knew that I wanted to be a writer. But it has almost always been there, from a very young age. When I was in the early years of primary school I found that I could write stories, I enjoyed writing stories, and to some degree at that stage I probably did it better than most of my peers did. It was something for which I had a talent, and which I was aware other people eventually made careers out of, so perhaps that was something I could do. Sometimes this sat alongside other ambitions – wanting to be a writer and a fireman, for example, or a writer and a Formula One team manager. But wanting to be a writer was always in there.
 
I’m middle-aged now, and I have been very fortunate indeed to have had a life in which I have been able, while not exactly making a full-time living from it, to tell stories as part of my professional career. By writing non-fiction books, feature articles, and making radio documentaries. Forming narratives, telling stories, making people interested in knowing what happened. Keeping them following along to the end of the tale.
 
But it’s not quite the same as writing fiction.
 
I am better – much better, really – at writing non-fiction and putting together radio features than I am at writing fiction. When I am constructing those narratives, I do it well – I do it bloody well, actually, so there – and I do it confidently, like crafting some intricate piece of needlework. But despite all these years – decades – of trying, I have never been able to find the same sense of fluency with fiction. Not as an adult. It’s like trying to do the stitching one-handed.
 
I have never stopped trying, though. Because I am under that delusion I mentioned earlier, that I might one day crack it. That I might somehow suddenly stumble across the idea, the way of doing it, which will give me the golden ticket to the chocolate factory of having a novel published. Now I’m in my 40s the rational part of me has started to think that if it were going to happen, I’d have done it by now. That I have reached the extent of my limitations as a writer.
 
But even with that rational part tugging away at one corner of my mind, I can’t just stop. Wanting to be a writer, wanting to be a novelist, is a key part of who I am. Even if I tried, I don’t think I could make it go away. The ideas would always be there, simmering away, and I’d always be thinking maybe this one, maybe this time…
 
It’s true, though, that I have tried a lot of ideas. Serious ones, silly ones. ‘Literary’ ones, trashy ones. Contemporary, historical, science-fiction, horror, first person, third person… I have never found the right formula to make it click. The story which will make people want to know what happens next, and be well-written enough to bring them along on the journey.
 
But…
 
But…
 
But…
 
I have mentioned on this blog more than once over the past few months that I was sitting on a secret. A commission. A real-life, actual commission to write a piece of fiction. Not a novel, something shorter, but still…
 
It was finally announced by the publisher and went up for pre-order online earlier this month so, as the saying goes, I’m “so glad I can finally talk about this.”
 
I realise it sounds incredibly mercenary to think that making money out of something gives it value. But it’s not really about the money, as such, as nice as it would be to be able to make a full-time living out of writing. (I definitely don’t think I will ever reach that stage). But it is that sense of validation, as I mentioned earlier. That someone, with no reason to think favourably of me for any reason, took a look at a submission of mine and decided it was up to a professional standard.
 
So yes, finally, after all of these decades of trying, I am going to be the author of a professional work of fiction. And what is it, you may ask…?
 
Well… I suppose it was inevitable. It’s this. Of course it’s this. What else, really, was it ever going to be…? 

 

Coming in 2026, from BBC Audiobooks – Doctor Who: Star Flight!